Again closely watching complexion,hair  and eye color.  70% of the entire project grade was primary and 30% was secondary with a little false color in some areas.

Karl S.

I remember in the early 90’s in some of my telecine sessions at POP/525 making false color vignettes and putting them on everything.  Well I still really love adding secondary generated color, I’m waiting for a film that will allow me to grade the entire movie with false color splashes everywhere the walls, the streets all over.  Maybe when I return to LA.